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Masks are required and must remain in place unless eating or drinking.

At the request of the artist, all attendees of this event must have received a negative COVID-19 test result within 72 hours of attending. Guests not wishing to provide a negative test result can voluntarily show proof of full vaccination instead. In attending the event, you certify and attest that you and all individuals in your party attending the event:

• All fans must provide printed proof of a negative COVID-19 test (PCR or antigen) obtained within 72 hours prior to entering the venue.
• In lieu of a negative test result, guests fully vaccinated against COVID-19 (at least two weeks after final dose) at the time of the event may instead provide proof of vaccination - either the original vaccination card or a printed copy of the vaccination card.

These regulations will apply to all members of your party (including children) before they are allowed entry to the event and to any users of the tickets purchased by you.

DO NOT attend the event if you have recently been exposed to a confirmed COVID-19 case or are exhibiting symptoms consistent with COVID-19 in the 48 hour period prior to the event.

Lindsey Jordan is on the brink of something huge, and she’s only just graduated high school. Her voice rises and falls with electricity throughout Lush, her debut album as Snail Mail, spinning with bold excitement and new beginnings at every turn.

“Is there any better feeling than coming clean?” sings the eighteen-year-old guitarist and songwriter halfway through the sprawling anthem that is “Pristine,” the album’s first single.  You can’t help but agree with her. It’s a hook that immediately sticks in your head—and a question she seems to be grappling with throughout the record’s 10-songs of crystalline guitar pop.

Throughout Lush, Jordan’s clear and powerful voice, acute sense of pacing, and razor-sharp writing cut through the chaos and messiness of growing up: the passing trends, the awkward house parties, the sick-to-your-stomach crushes and the heart wrenching breakups. Jordan’s most masterful skill is in crafting tension, working with muted melodrama that builds and never quite breaks, stretching out over moody rockers and soft-burning hooks, making for visceral slow-releases that stick under the skin.

Lush feels at times like an emotional rollercoaster, only fitting for Jordan’s explosive, dynamic personality.  Growing up in Baltimore suburb Ellicot City, Jordan began her classical guitar training at age five, and a decade later wrote her first audacious songs as Snail Mail.  Around that time, Jordan started frequenting local shows in Baltimore, where she formed close friendships within the local scene, the impetus for her to form a band.  By the time she was sixteen, she had already released her debut EP, Habit, on local punk label Sister Polygon Records.

In the time that’s elapsed since Habit, Jordan has graduated high school, toured the country, opened for the likes of Girlpool and Waxahatchee as well as selling out her own headline shows, and participated in a round-table discussion for the New York Times about women in punk—giving her time to reflect and refine her songwriting process by using tempered pacings and alternate tunings to create a jawdropping debut both thoughtful and cathartic. Recorded with producer Jake Aron and engineer Johnny Schenke, with contributions from touring bandmates drummer Ray Brown and bassist Alex Bass as well, Lush sounds cinematic, yet still perfectly homemade.

The songs on Lush often come close to the five-minute mark, making them long enough to get lost in. The album’s more gauzy and meditative songs play out like ideal end-of-the-night soundtracks, the kind that might score a 3am conversation or a long drive home, from the finger-picking of “Speaking Terms” to the subtle, sweeping harmonies and French horn on “Deep Sea.” It only makes sense that Jordan wrote these songs late at night during a time when she was obsessively reading Eileen Myles and listening to a lot of slowcore and folk songwriters.

“Heat Wave” is one of the album’s most devastating moments, a song that wallows in a crumbling mid-summer relationship. “I broke it off, called out of my shift, and just cried in my bathtub and wrote this song,” Jordan recalls. “I was just so desperate to just get the way I was feeling out onto paper so that I could just have it and be done with it. It was almost kind of painful. It was like puking onto paper, and crying, ‘This girl hurt my feelings!’  Towards the end of writing the record, I became better at dealing with my emotions.”

Jordan’s personal crown jewel of the album, “Let’s Find an Out,” puts her childhood classical guitar training on display.  It’s a road song of sorts, a nod to feeling young and disoriented on her first ever tour: “I’d gotten knocked around a lot by the process. I was scared. It’s sort of this love song about another person who is going through the same thing.” “You’re always coming back a little older / but it looks alright on you,” she belts over her intricate playing, on one of the album’s most pensive and gorgeous moments. Lucky for us all, she doesn’t sound scared anymore.

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Get in the holiday spirit with a special evening of seasonal classics from Bob Schneider & the Moonlight Orchestra featuring the Tosca Strings with special guest Lex Land & other surprises to be announced!

One of Austin’s most celebrated musicians, Bob Schneider, released his 2018 album, “Blood and Bones” – his 7th studio album since his 2001 solo debut Lonelyland – via his Shockorama Records imprint. “Blood and Bones” captures Schneider at a unique, and distinct place. “Most of the songs are about this phase of my life,” he admits. “I’m re-married, I have a 2-year-old baby daughter who was born over two months premature because my wife had life threatening preeclampsia. So dealing with that traumatic event while getting older and looking at death in a realistic, matter of fact way, experiencing the most joy I’ve ever experienced along with feelings of utter despondency in a way that would have been impossible to experience earlier in my life, all comes out in the songs. My relationship with my wife is the longest committed relationship I’ve ever been in, so there was a lot of unchartered territory there to write about.”

The songs on “Blood and Bones” reflect this. Recorded quickly with producer Dwight Baker, who has worked with Schneider on 6 of his previous releases, the album highlights the chemistry that Schneider and his backing band of Austin’s very best musicians have developed while relentlessly playing live, most notably at the monthly residency Schneider has held at Austin’s Saxon Pub for the last 19 years. “I didn’t want to overthink the songs,” Schneider says. “I really respect Dwight’s ability to make great calls when it comes to what works and isn’t working when we are recording the songs. I felt pretty good about the quality of the songwriting, so I figured that would come through in the end if we just went in and played them the way I do live.”

While the performance and production are stellar, the songwriting finds Schneider in a particularly reflective mode. Sure, there are live favorites like “Make Drugs Get Money” and “Texaco” that will get even the most reserved crowds dancing. But more often the album finds Schneider reflecting on marriage, parenthood, and mortality. “I wish I could make you see how wonderful everything is most of the time, but I’m only blood and bones,” he sings on the title track, a meditation on the beauty and the limits of marriage. Later, on “Easy,” he tells his daughter “it’s always been a scary thing to do, to let my heart fall down into the endless blue, but it’s easy with you.” Through it all, there is a clear sense of mortality, of just how fleeting all of this is. “The hours and days stack up in the mirror,” he sings on “Hours and Days”. “We’re just snowmen waiting for the summer” he sings on “Snowmen”, before adding “we can’t bring them back, can’t bring nothing back.”

One thing Schneider has excelled at in his career is bringing audiences back. Though he has received little national press or major label support, he has managed to become one of the biggest acts in Austin, if not in Texas. His fans, who often discover him from being brought to his shows by their friends, are fiercely loyal. Many have attended dozens or even hundreds of shows. Thanks to these fans, Schneider has won more Austin Music Awards than any other musician, including Best Album, Best Songwriter, Best Musician, and Best Male Vocals, rounding in at 59 total awards to date.

In retrospect, it appears inevitable that Bob Schneider would become an artist. He was born in Michigan and raised in Germany, where his father pursued a career as a professional opera singer. As a boy, Schneider studied piano and guitar, often performing at family parties and backing his father on drums at nightclubs throughout his youth in Germany and Texas. He went on to study art – his other primary passion and avocation – at the University of Texas El Paso, before moving to Austin and establishing himself as a musician. He performs relentlessly, creates new music compulsively, writes poetry, and regularly shows his visual art in galleries around Austin. With “Blood and Bones”, Schneider further cements his reputation as one of the most versatile, inventive, and engaging songwriters working today.

In retrospect, it appears inevitable that Bob Schneider would become an artist. He was born in Michigan and raised in Germany, where his father pursued a career as a professional opera singer. As a boy, Schneider studied piano and guitar, often performing at family parties and backing his father on drums at nightclubs throughout his youth in Germany and Texas. He went on to study art - his other primary passion and avocation - at the University of Texas El Paso, before moving to Austin and establishing himself as a musician. He performs relentlessly, creates new music compulsively, writes poetry, and regularly shows his visual art in galleries around Austin. With Blood and Bones, Schneider further cements his reputation as one of the most versatile, inventive, and engaging songwriters working today.

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On December 8, 2017, Devon Allman invited a couple dozen of his closest musical compadres onto the hallowed stage of The Fillmore to perform a three-hour, multi-set monster of a concert for the sold-out crowd that filled the historic San Francisco venue in tribute to Allman’s late father, Gregg.  The date was bittersweet; what would’ve been Gregg’s 70^th birthday.  For Allman, in a year when the award-winning musician lost both parents within a few months of each other, what started as a simple idea of music as medicine had given birth to The Allman Family Revival: a happy and healing cosmic experience celebrating the life, spirit, and indelible musical legacy of Gregg Allman.

The format for this ambitious undertaking, Allman says, was inspired by one of rock’s most famous concerts (and film).  “I had recently re-fallen in love with The Band’s The Last Waltz and thought that would be perfect: let our band come out and serve as the appetizer; then one-by-one welcome our special guests; have them do a song they are known for and also do an Allman-centric song.”

Year one, the newly-formed Devon Allman Project with Duane Betts indeed welcomed a slew of heavyweights to the tribute: G. Love; Robert Randolph; Luther and Cody Dickinson; Alex Orbison; and Samantha Fish, to name a few.  In 2018, Allman and Betts installed The Allman Betts Band as the Revival’s house band, adding wunderkind Marcus King to the already-impressive guest list for another sold-out affair at The Fillmore.  By 2019, Allman extended the scope of the now-annual event, and the invites (including Cheap Trick’s legendary singer, Robin Zander), slating Allman Family Revival shows in San Francisco, Denver’s Mission Ballroom, and New York City’s Beacon Theatre.  In 2020, the global pandemic forced Allman to pivot to a February 2021 date, adapting the Revival to a single, socially-distanced performance at Nashville’s famed Ryman Auditorium and included Jimmy Hall (Wet Willie) and JD Simo among the now-familiar faces of Allman’s ever-expanding musical family.

“I like having artists that knew Dad, played with him, maybe were an opening act, or were really influenced and inspired by him,” Allman says.  “As for a venue, I prefer those turn-of-the-century to mid-20th century, old-school theatres. They are just gorgeous inside, sculpted for sound, and provide the perfect location for these very special shows.  I love for this concert to feel like a night at the theatre for our audience.”

Once envisioned as a single celebration in San Francisco, the Allman Family Revival, in its fifth year, has evolved into a full-fledged, coast-to-coast tour.  As curator, host, and performer, Allman remains true to the painstaking mission of providing an epic event worthy of its inspiration.  “I want to make sure there’s some ‘sonic ginger,’ to cleanse the palette amidst all those guitars,” Allman says with a smile.  “I really enjoy working with the guests individually on setlists to make each show a very special night.  It’s a daunting task, for sure, but a labor of love every time.”

Among the marquee names scheduled for 2021’s Revival are Robert Randolph, Eric Gales, Jimmy Hall, Donavon Frankenreiter, Joanne Shaw Taylor, Cody and Luther Dickinson, Lilly Hiatt, and Lamar Williams Jr., plus, of course, more surprises to come.

“My favorite part is just the joy of the audience.  I can tell they are touched and getting every penny’s worth,” Allman says.  “Knowing Dad is looking down saying, ‘Damn, son, all that hot jammin’ for me?!’ I know he’s tickled that we celebrate him.  Because none of us has to do this.  We all have busy careers.  This is a ‘want to’ situation; absolutely, 100% about music and celebration and tribute.”   

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Masks are required and must remain in place unless eating or drinking.

With career album sales now in excess of 1.5 million worldwide, Mexican acoustic-rock duo Rodrigo y Gabriela won the GRAMMY® for Best Contemporary Instrumental Album at the 2019 62nd GRAMMY® Awards ceremony. The award was given for Rodrigo y Gabriela's most-recent album METTAVOLUTION, their 6th studio album and first in five years. The award is just one of the recent career highlights for Rodrigo y Gabriela, who have undoubtedly established themselves as the planet’s preeminent acoustic guitar duo, earning international acclaim and a fervent fan following with their awe-inspiring mastery of their instruments as well as a truly distinctive approach to melody, energy, and rhythm.

Rodrigo Sanchez and Gabriela Quintero have been playing together since the mid-nineties when they were members of Mexican thrash-metal band Terra Acida. Both were raised on a musical feast of classic rock, including The Beatles, Led Zeppelin and Black Sabbath, but the eureka moment came when they first heard Metallica’s ‘Master Of Puppets’, which was their gateway to the fast and furious world of Megadeth, Slayer and Pantera. 

When Terra Acida split, Rodrigo and Gabriela decided to go travelling, with just a suitcase and two acoustic guitars for company. They arrived in Ireland at the turn of the Millennium, having heard the country was “a good place for musicians”. Speaking no English, they soon ran out of money, and took to busking on Dublin’s Grafton Street to make ends meet. Here they met Damien Rice, himself embarking on his solo career, and he invited them to open at one of his key early headline shows. 

From this beginning, their reputation as killer musicians - Rodrigo with the faster-than-lightning lead guitar and Gabriela with her unique, rhythmic, strumming-and-drumming style - started to spread across the country. Following a successful live album in 2004, their debut self-titled studio album, produced by John Leckie of Radiohead and Stone Roses fame, was released by Rubyworks in February 2006 and charted at # 1 on the Irish national charts, keeping the Arctic Monkeys off the top spot. 

Having established themselves in their adopted home, the duo started to spread their magic across the rest of the world. They headlined the Jazz World stage at Glastonbury in 2007, which was broadcast live on BBC TV. The ‘Rodrigo y Gabriela’ album went on to sell over 100,000 records in the UK. 

Through relentless touring and terrific word-of-mouth support, Rodrigo y Gabriela have established themselves as an in-demand live act, particularly in America, where they sold out the Hollywood Bowl (two nights) and the Red Rocks Amphitheatre as recently as summer 2018. They have also sold out multiple nights at the Royal Albert Hall in London, Le Zenith in Paris and Radio City Music Hall in New York, not to mention venues in Australia, Japan and Europe. 

In 2010, Rodrigo and Gabriela were invited by President Obama to perform at a reception he hosted for the President and First Lady of Mexico. Rod and Gab have also contributed to the musical soundtracks of ‘Puss In Boots’ (2011) and ‘Pirates Of The Caribbean: On Stranger Tides’ (with Hans Zimmer) in the same year. 

METTAVOLUTION presented the most ambitious music of Rodrigo y Gabriela’s remarkable two-decade career. Three years in the making, the album embraced the duo’s passionate interest in Buddhism, the history of human evolution, and the liberation of the potential we have as a species, all expressed through the medium of two acoustic guitars. Conceived and composed in their studio in Ixtapa on the Mexican Pacific Coast, the music of METTAVOLUTION was road-tested around the world on tour in 2017 and 2018 before being recorded late last year in Los Angeles with multiple GRAMMY-winning producer Dave Sardy (Oasis, LCD Soundsystem, A Perfect Circle, Band of Horses) behind the board.

The METTAVOLUTION world tour was cut short due to COVID-19 restrictions. Rodrigo y Gabriela were very active in lockdown on their social channels with weekly live sessions, including exclusive cover versions, AMA exchanges with fans and even mindfulness and cooking classes. Embracing the opportunity to explore new areas of music, Rod & Gab released interpretations of songs by Ryuichi Sakamoto, Armando Manzanero and a remarkable collaboration with soccer legend Pele to celebrate his 80’s birthday. Reveling in their new found eclecticism, Rodrigo y Gabriela prepared to release a JAZZ EP (including music composed by Kamasi Washington and Snarky Puppy) in Spring 2021; a companion piece to 2019’s thrash-metal tribute METTAL EP.

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Masks are required and must remain in place unless while eating or drinking.

All attendees of this event are required to have received a negative COVID-19 test within 48 hours prior to entering the venue. Guests not wishing to provide a negative test result can voluntarily show proof of full vaccination instead. In attending the event, you certify and attest that you and all individuals in your party attending the event will abide by the following regulations:

All fans must provide printed proof of a negative COVID-19 test obtained within 48 hours prior to entering the venue. In lieu of a negative test result, guests fully vaccinated against COVID-19 (at least two weeks after final dose) at the time of the event may instead provide proof of vaccination – either the original vaccination card or a printed copy of the vaccination card. These regulations will apply to all members of your party (including children) before they are allowed entry to the event and to any users of the tickets purchased by you.

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Masks required for entry and must remain in place unless eating or drinking.

To our Widespread Panic family:

After all this time, we were really looking forward to finally connecting with you in Austin, Texas at ACL Live this weekend. Being mindful of the concerns that COVID-19 has placed upon these events, we put plans in place to keep our fans, crew, venue staff, and band members as safe as possible while we’re together. 

Despite all being vaccinated and the precautions we’ve taken, John Bell has tested positive for COVID. Unfortunately, this means that we have to postpone this weekend’s shows to support both our friend’s health and the safety of everyone involved in these events.

This weekend’s shows are being rescheduled to Friday, October 8 - Sunday, October 10. Tickets for this Friday, August 13 will be honored on Friday, October 8; Saturday, August 14 tickets will be honored on Saturday, October 9; and Sunday, August 15 tickets will be honored on Sunday, October 10. For those who can’t join us or would prefer a refund, you’ll be receiving an email with your refund options shortly.

We’re heartbroken that we can’t be with you this weekend, but we know that health & safety come first. We appreciate your support and we’ll see you soon - we promise it’ll be worth the wait.

Masks are required for entry to this event.

Attention Widespread Panic fans! At the request of the artist, there are updated health and safety requirements for fans at the following shows:

Widespread Panic

Austin City Limits Live at The Moody Theater

August 13-15, 2021

Show 8PM | Gates 6PM

All attendees of this event must be fully vaccinated against COVID-19 OR have tested negative for COVID-19 within 48 hours of attending the event(s).  In attending the event you certify and attest that you and all individuals in your party attending the event:

• Are fully vaccinated against COVID-19 (at least two weeks after final dose)  and provide proof of vaccination; i.e. original vaccination card, copy of vaccination card, picture of vaccination card

OR

• Will take a COVID-19 diagnostic test (PCR or antigen) within 48 hours of each event and before entry to the facility and will provide proof of negative result to security prior to entry into the facility

DO NOT attend the event and request a refund if you have recently been exposed to a confirmed COVID-19 case or are exhibiting symptoms consistent with COVID-19 in the 48 hour period prior to the event.

For guests without proof of vaccination or verification of negative diagnostic test, the artist will be hosting a daily COVID-19 rapid testing clinic at ACL Live, available to all attending guests from 2PM-9PM CT on Friday, August 13 & Saturday, August 14 only (located 310 W. Willie Nelson Blvd, Austin, TX 78701). Cost is $25 per test, with or without insurance.

If you are attending multiple nights, please bring proof of your vaccination record or proof of a negative COVID test, administered within 48 hours of the day of show EACH NIGHT.

If you are unable to adhere to these testing and vaccination requirements and have purchased your tickets directly through Ticketmaster, you may request a refund. Refunds must be requested by 10:00AM CT on Friday, August 13, 2021.

We’ve waited a while for these shows, and could not be more excited to have Widespread Panic return to ACL Live!

As part of a continued commitment to creating the safest, most enjoyable concert experience by the artists, crew & venue, the Widespread Panic concerts that had been delayed to May 27-29, 2021 are being rescheduled to Friday, August 13; Saturday, August 14; and Sunday, August 15, 2021. 

All tickets for the May 27 show will be honored on the rescheduled date of August 13, 2021; all tickets for May 28 show will be honored on the rescheduled date of August 14, 2021; and all tickets purchased for the May 29 show will be honored on the rescheduled date of August 15, 2021.

Your existing tickets will be valid for the newly rescheduled date and will not need to be re-purchased or exchanged for entry.

Patrons not able to attend the new dates are eligible for refunds through their account at Ticketmaster.com.

We'll see you in August!

Make a night of it! Book a hotel stay just steps away at W Austin. Grab a room at an exclusive rate for ACL Live ticketholders here.

Widespread Panic has been together over three decades. Formed by vocalist/guitarist John Bell, bassist Dave Schools and late lead guitarist Michael Houser in the mid-1980s while the three attended the University of Georgia, over the next several years band’s lineup expanded to include drummer Todd Nance, percussionist Domingo Ortiz, and keyboardist John Hermann. The current lineup now includes lead guitarist Jimmy Herring and drummer Duane Trucks.

Attaining true road warrior status, Widespread Panic has broken attendance records across the country, including a staggering 60 consecutive sell-outs at legendary Red Rocks Amphitheatre, 18 sell outs at State Farm Arena in Atlanta, additional records in the UNO Lakefront Arena in New Orleans, Birmingham’s Oak Mountain Amphitheater, New Orleans Jazzfest and The Fox Theatre in Atlanta. Panic has headlined most of the major U.S. festivals including Bonnaroo (eight times), Lollapalooza, ACL Festival, LOCKN’, Outside Lands, Forecastle to name just a few.

Over the past 30 years, Widespread Panic has sold over 3 million albums, 4 million downloads. Twelve years ago the band opened its vault and began to release live recordings through its Archive series of releases, spotlighting exceptional shows spanning the band’s entire career. In 2008 was inducted into the Georgia Music Hall of Fame and continues to sell out shows across the country.

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Masks required for entry and must remain in place unless eating or drinking.

To our Widespread Panic family:

After all this time, we were really looking forward to finally connecting with you in Austin, Texas at ACL Live this weekend. Being mindful of the concerns that COVID-19 has placed upon these events, we put plans in place to keep our fans, crew, venue staff, and band members as safe as possible while we’re together. 

Despite all being vaccinated and the precautions we’ve taken, John Bell has tested positive for COVID. Unfortunately, this means that we have to postpone this weekend’s shows to support both our friend’s health and the safety of everyone involved in these events.

This weekend’s shows are being rescheduled to Friday, October 8 - Sunday, October 10. Tickets for this Friday, August 13 will be honored on Friday, October 8; Saturday, August 14 tickets will be honored on Saturday, October 9; and Sunday, August 15 tickets will be honored on Sunday, October 10. For those who can’t join us or would prefer a refund, you’ll be receiving an email with your refund options shortly.

We’re heartbroken that we can’t be with you this weekend, but we know that health & safety come first. We appreciate your support and we’ll see you soon - we promise it’ll be worth the wait.

Masks are required for entry to this event.

Attention Widespread Panic fans! At the request of the artist, there are updated health and safety requirements for fans at the following shows:

Widespread Panic

Austin City Limits Live at The Moody Theater

August 13-15, 2021

Show 8PM | Gates 6PM

All attendees of this event must be fully vaccinated against COVID-19 OR have tested negative for COVID-19 within 48 hours of attending the event(s).  In attending the event you certify and attest that you and all individuals in your party attending the event:

• Are fully vaccinated against COVID-19 (at least two weeks after final dose)  and provide proof of vaccination; i.e. original vaccination card, copy of vaccination card, picture of vaccination card

OR

• Will take a COVID-19 diagnostic test (PCR or antigen) within 48 hours of each event and before entry to the facility and will provide proof of negative result to security prior to entry into the facility  

DO NOT attend the event and request a refund if you have recently been exposed to a confirmed COVID-19 case or are exhibiting symptoms consistent with COVID-19 in the 48 hour period prior to the event.

For guests without proof of vaccination or verification of negative diagnostic test, the artist will be hosting a daily COVID-19 rapid testing clinic at ACL Live, available to all attending guests from 2PM-9PM CT on Friday, August 13 & Saturday, August 14 only (located 310 W. Willie Nelson Blvd, Austin, TX 78701). Cost is $25 per test, with or without insurance.

If you are attending multiple nights, please bring proof of your vaccination record or proof of a negative COVID test, administered within 48 hours of the day of show EACH NIGHT.

If you are unable to adhere to these testing and vaccination requirements and have purchased your tickets directly through Ticketmaster, you may request a refund. Refunds must be requested by 10:00AM CT on Friday, August 13, 2021.

We’ve waited a while for these shows, and could not be more excited to have Widespread Panic return to ACL Live!

As part of a continued commitment to creating the safest, most enjoyable concert experience by the artists, crew & venue, the Widespread Panic concerts that had been delayed to May 27-29, 2021 are being rescheduled to Friday, August 13; Saturday, August 14; and Sunday, August 15, 2021. 

All tickets for the May 27 show will be honored on the rescheduled date of August 13, 2021; all tickets for May 28 show will be honored on the rescheduled date of August 14, 2021; and all tickets purchased for the May 29 show will be honored on the rescheduled date of August 15, 2021.

Your existing tickets will be valid for the newly rescheduled date and will not need to be re-purchased or exchanged for entry.

Patrons not able to attend the new dates are eligible for refunds through their account at Ticketmaster.com.

We'll see you in August!

Make a night of it! Book a hotel stay just steps away at W Austin. Grab a room at an exclusive rate for ACL Live ticketholders here.

Widespread Panic has been together over three decades. Formed by vocalist/guitarist John Bell, bassist Dave Schools and late lead guitarist Michael Houser in the mid-1980s while the three attended the University of Georgia, over the next several years band’s lineup expanded to include drummer Todd Nance, percussionist Domingo Ortiz, and keyboardist John Hermann. The current lineup now includes lead guitarist Jimmy Herring and drummer Duane Trucks.

Attaining true road warrior status, Widespread Panic has broken attendance records across the country, including a staggering 60 consecutive sell-outs at legendary Red Rocks Amphitheatre, 18 sell outs at State Farm Arena in Atlanta, additional records in the UNO Lakefront Arena in New Orleans, Birmingham’s Oak Mountain Amphitheater, New Orleans Jazzfest and The Fox Theatre in Atlanta. Panic has headlined most of the major U.S. festivals including Bonnaroo (eight times), Lollapalooza, ACL Festival, LOCKN’, Outside Lands, Forecastle to name just a few.

Over the past 30 years, Widespread Panic has sold over 3 million albums, 4 million downloads. Twelve years ago the band opened its vault and began to release live recordings through its Archive series of releases, spotlighting exceptional shows spanning the band’s entire career. In 2008 was inducted into the Georgia Music Hall of Fame and continues to sell out shows across the country.

[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

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Masks required for entry and must remain in place unless eating or drinking.

To our Widespread Panic family:

After all this time, we were really looking forward to finally connecting with you in Austin, Texas at ACL Live this weekend. Being mindful of the concerns that COVID-19 has placed upon these events, we put plans in place to keep our fans, crew, venue staff, and band members as safe as possible while we’re together. 

Despite all being vaccinated and the precautions we’ve taken, John Bell has tested positive for COVID. Unfortunately, this means that we have to postpone this weekend’s shows to support both our friend’s health and the safety of everyone involved in these events.

This weekend’s shows are being rescheduled to Friday, October 8 - Sunday, October 10. Tickets for this Friday, August 13 will be honored on Friday, October 8; Saturday, August 14 tickets will be honored on Saturday, October 9; and Sunday, August 15 tickets will be honored on Sunday, October 10. For those who can’t join us or would prefer a refund, you’ll be receiving an email with your refund options shortly.

We’re heartbroken that we can’t be with you this weekend, but we know that health & safety come first. We appreciate your support and we’ll see you soon - we promise it’ll be worth the wait.

Masks are required for entry to this event.

Attention Widespread Panic fans! At the request of the artist, there are updated health and safety requirements for fans at the following shows:

Widespread Panic

Austin City Limits Live at The Moody Theater

August 13-15, 2021

Show 8PM | Gates 6PM

All attendees of this event must be fully vaccinated against COVID-19 OR have tested negative for COVID-19 within 48 hours of attending the event(s).  In attending the event you certify and attest that you and all individuals in your party attending the event:

• Are fully vaccinated against COVID-19 (at least two weeks after final dose)  and provide proof of vaccination; i.e. original vaccination card, copy of vaccination card, picture of vaccination card

OR

• Will take a COVID-19 diagnostic test (PCR or antigen) within 48 hours of each event and before entry to the facility and will provide proof of negative result to security prior to entry into the facility  

DO NOT attend the event and request a refund if you have recently been exposed to a confirmed COVID-19 case or are exhibiting symptoms consistent with COVID-19 in the 48 hour period prior to the event.

For guests without proof of vaccination or verification of negative diagnostic test, the artist will be hosting a daily COVID-19 rapid testing clinic at ACL Live, available to all attending guests from 2PM-9PM CT on Friday, August 13 & Saturday, August 14 only (located 310 W. Willie Nelson Blvd, Austin, TX 78701). Cost is $25 per test, with or without insurance.

If you are attending multiple nights, please bring proof of your vaccination record or proof of a negative COVID test, administered within 48 hours of the day of show EACH NIGHT.

If you are unable to adhere to these testing and vaccination requirements and have purchased your tickets directly through Ticketmaster, you may request a refund. Refunds must be requested by 10:00AM CT on Friday, August 13, 2021.

We’ve waited a while for these shows, and could not be more excited to have Widespread Panic return to ACL Live!

As part of a continued commitment to creating the safest, most enjoyable concert experience by the artists, crew & venue, the Widespread Panic concerts that had been delayed to May 27-29, 2021 are being rescheduled to Friday, August 13; Saturday, August 14; and Sunday, August 15, 2021. 

All tickets for the May 27 show will be honored on the rescheduled date of August 13, 2021; all tickets for May 28 show will be honored on the rescheduled date of August 14, 2021; and all tickets purchased for the May 29 show will be honored on the rescheduled date of August 15, 2021.

Your existing tickets will be valid for the newly rescheduled date and will not need to be re-purchased or exchanged for entry.

Patrons not able to attend the new dates are eligible for refunds through their account at Ticketmaster.com.

We'll see you in August!

Make a night of it! Book a hotel stay just steps away at W Austin. Grab a room at an exclusive rate for ACL Live ticketholders here.

Widespread Panic has been together over three decades. Formed by vocalist/guitarist John Bell, bassist Dave Schools and late lead guitarist Michael Houser in the mid-1980s while the three attended the University of Georgia, over the next several years band’s lineup expanded to include drummer Todd Nance, percussionist Domingo Ortiz, and keyboardist John Hermann. The current lineup now includes lead guitarist Jimmy Herring and drummer Duane Trucks.

Attaining true road warrior status, Widespread Panic has broken attendance records across the country, including a staggering 60 consecutive sell-outs at legendary Red Rocks Amphitheatre, 18 sell outs at State Farm Arena in Atlanta, additional records in the UNO Lakefront Arena in New Orleans, Birmingham’s Oak Mountain Amphitheater, New Orleans Jazzfest and The Fox Theatre in Atlanta. Panic has headlined most of the major U.S. festivals including Bonnaroo (eight times), Lollapalooza, ACL Festival, LOCKN’, Outside Lands, Forecastle to name just a few.

Over the past 30 years, Widespread Panic has sold over 3 million albums, 4 million downloads. Twelve years ago the band opened its vault and began to release live recordings through its Archive series of releases, spotlighting exceptional shows spanning the band’s entire career. In 2008 was inducted into the Georgia Music Hall of Fame and continues to sell out shows across the country.

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Masks required for entry and must remain in place unless eating or drinking.

Make a night of it! Book a hotel stay just steps away at W Austin. Exclusive rates for ACL Live patrons start at just $329 when you book with your tickets here.

Nashville-based, Oregon-born Mat Kearney is back with his new studio album January Flower. Written between an isolated retreat in Joshua Tree and his home studio, January Flower sees Kearney in his rawest form, distilling the songwriting process and rediscovering the joy of making music. Over his career, Kearney has released five studio LPs, claimed the #1 spot on iTunes, topped multiple Billboard charts, made four entries into the Hot 100, amassed over 2.5 BILLION global streams. Kearney, a Multi-Platinum songwriter and producer, has performed live on TODAY Show, Ellen, The Tonight Show, Letterman and Jimmy Kimmel Live! and has garnered raves from USA Today, Entertainment Weekly, People, Billboard, PARADE and Marie Claire. He also has an incredible touring history, sharing the road with everyone from John Mayer to NEEDTOBREATHE.

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