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The Head And The Heart returns to Austin with the Every Shade Of Blue Tour 2022 with special guest Dawes.

In the best interest of fans and staff, the Event Organizer will continue to monitor local COVID- 19 trends and meet or exceed protocols mandated by local governments. By purchasing tickets to this event, unless prohibited by law, you agree to abide by the health and safety measures in effect at the time of the event, which may include, but not be limited to, wearing masks, providing proof of vaccination status and/or providing proof of negative COVID-19 test. Check back often for updates to your event venue website as guidelines are subject to change.

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With one foot in the real world and the other in a charmed dimension of his own making, Amos Lee creates the rare kind of music that’s emotionally raw yet touched with a certain magical quality. On his eighth album Dreamland, the Philadelphia-born singer/songwriter intimately documents his real-world struggles (alienation, anxiety, loneliness, despair), an outpouring born from deliberate and often painful self-examination. “For most of my life I’ve walked into rooms thinking, ‘I don’t belong here,’” says Lee. “I’ve come to the realization that I’m too comfortable as an isolated person, and I want to reach out more. This record came from questioning my connections to other people, to myself, to my past and to the future.”

In the spirit of fostering connection, Lee made Dreamland in close collaboration with L.A.-based producer Christian “Leggy” Langdon (Banks, Meg Myers). “I met with Leggy, who I really didn’t know anything about, and before we even started to work we had a very open and vulnerable conversation about what was going on in our lives,” he recalls. “So much of what I do is solitary work, and it felt good to find someone I could connect with—sort of like, ‘I’m a lonely kid, and I wanna play.’” Thanks to that palpable sense of playfulness, Dreamland embodies an unpredictable and endlessly imaginative sound—a prime showcase for Lee’s warmly commanding voice and soul-baring songwriting.

The very first song that Lee and Langdon created together, “Hold You” set the standard for Dreamland’s open-hearted confession. With its delicate convergence of so many exquisite sonic details—luminous guitar tones, ethereal textures, tender toy-piano melodies—the track finds Lee looking inward and uncovering a deep urge to provide comfort and solace. “Especially if you’ve grown up with a less-than-appealing inner voice, you have to start with yourself,” he notes. On “Worry No More”—the mantra-like lead single to Dreamland—Lee shares his hard-won insight into riding out anxiety. “I’ve had a lot of episodes with anxiety in my life and now I feel much more equipped to handle them, partly because my family and friends have always been so supportive of me,” he says. “Music has also been so healing for me, and helped me to find a place in my mind that isn’t purely controlled by fear.” To that end, “Worry No More” gently exalts music’s power to brighten our perspective, with the song’s narrator slipping into a headphone-induced reverie as they wander a broken world (“I’m listening to the sounds of Miles/Spanish sketches, playground smiles/Crowded streets and empty vials/For all to share”).

All throughout Dreamland, Lee embraces an unfettered honesty, repeatedly shedding light on the darkest corners of his psyche. On “Into the Clearing,” for instance, the album takes on a moody intensity as Lee speaks to a desire for obliteration. “There’s always a longing to be one with the universe, to be one with nature, to be one with the sky,” he says. “And sometimes the only way you can be with the sky is to be smoke.” A powerfully uplifting track with a gospel-like energy, “See the Light” evokes a fierce resolve to hold tight to hope (“Since I know I’m going to be singing these songs over and over, I like to infuse them with helpful messages to myself,” Lee says). With its soulful piano work and soaring string arrangement, “Seeing Ghosts” reflects on anxiety’s insidious ability to warp our perception. “For a lot of people with anxiety disorders, there’s this fog that sets in, where your brain becomes overwhelmed and you disconnect,” says Lee. “I’ve definitely seen ghosts my whole life.” In a striking tonal shift, Lee then delivers one of Dreamland’s most euphoric moments on “Shoulda Known Better,” a radiant piece of R&B-pop fueled by his dreamy falsetto. “That song’s looking at the messy side of life,” he says. “It’s saying, ‘I was dumb, I shouldn’t have done that, but we had a lot of fun. I don’t regret it at all.’”

In the making of Dreamland, Lee found his songwriting indelibly informed by his recent reading of Johann Hari’s 2018 book Lost Connections. “It’s about depression, which I have a pretty deep history with, and how our society and our generation looks at mental health and healing in terms of medication rather than thinking about our personal relationship to the people and the world around us,” he says. And with the release of Dreamland, Lee hopes that his songs might inspire others to live more fully and free of fear. “Over the course of my life I’ve come to understand that music is my bridge to other people,” he says. “I have no idea what the waters are like below that bridge—it might be lava for all I know—but music allows me to float over the whole thing and connect. To me that’s the whole point of why we do this: to give people something to listen to and be enveloped by the love of another human being, and just be reminded that humanity is beautiful.”

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Spend a romantic Valentine evening with BOB SCHNEIDER & THE MOONLIGHT ORCHESTRA featuring THE TOSCA STRINGS with special guests LEX LAND and JON MUQ.

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Trey Kennedy is a born and raised Oklahoman who never expected to enter the entertainment industry. While attending college at Oklahoma State University, Trey found fame on the mobile app Vine, amassing more than 2.5 million followers. He was a top creator on the app for more than three years and, through this experience, discovered a passion for entertainment. Trey has now continued his social media success on platforms such as Instagram and Facebook where he has a combined 10+ million followers. He hopes to continue creating an array of entertaining content in order to deliver some joy where it's needed. Trey is currently creating content and podcasts across his social media while traveling the road performing for sold out crowds everywhere.

 “Vibes Are Up VIP”

Best seats in the house, Meet & Greet with Trey, early entry, crowd-free merchandise shopping, one VIP laminate with lanyard and 1 exclusive merch item.

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There's an old adage in the music business—hurry up and wait. It’s as old as time itself and still rings true today. All too often, we’re stuck in a no man’s land where the present is almost non-existent. You look at the past, the “good old days,” with rose-colored glasses. The future is presented as when everything will be figured out and make sense—there’s an unparalleled optimism towards the future. Days drag on, but the years fly by.

With their highly anticipated sophomore album, Homeland Insecurity, Texas’ Flatland Cavalry wants to stop and smell the roses. Bandleader and chief lyricist Cleto Cordero is fine with examining and the present. There’s an appreciation for all the sharp detail and high-spirited emotions of today. 

Flatland Cavalry—the aforementioned Cordero, guitarist Reid Dillon, bassist Jonathan Saenz, drummer Jason Albers, and newest member, fiddle player Wesley Hall—has been stretching their legs across the country this past year after honing their craft and voice in the music boomtown of Lubbock, Texas. 

Homeland Insecurity finds Flatland further evolving as musicians and storytellers. They continue to expand their sonic palettes while remaining true to those defining characteristics that made them rising standouts years ago.

On their previous releases, Come May and Humble Folks, Cordero and company harnessed untethered emotions, feel-good rhythms, and simple raw energy to make it into the hearts of fans and critics. There was power in Cordero’s proverbial pen that resonated with the highs and lows of college life. 

“We’re all just out of college,” says Cordero. “We’re in our mid-twenties. We’re all told growing up that by the time you’re out of school, you’ll have it all figured out, but that’s not really how it is. You’re still out there trying to find yourself.”

It’s not a jump into adult life. That’s a facade and outright lie. Life doesn’t happen that way. You don’t turn 25 and become a fully-formed person. Rather, Homeland Insecurity finds Flatland exploring the anxieties, unsureness, growth, resilience, falters, fear, maturation, and eventual lessons learned as you grow older. 

By no means does Cordero and company feel they have it figured out, but rather, are trying to figure it out themselves as well. 

“I think at some point, you feel like you need to grow-up, but you don’t know how,” says Cordero. “You’re searching for that path though. You’re overturning every rock trying to find the secret that gets on to the next. I’m not trying to be a teacher or anything. I just wish someone would have told me earlier on and saved me the heartache of it all.”

Flatland is unabashed in this search knowing that they’ve always wanted to be band where their crowd grew along with them. Cordero knows he could have just revisited old themes, young lust narratives, and drinking days glory for another album. He could have easily rehashed old ideas and gotten a pass for them as long as they were catchy, but he wouldn’t have been able to live with himself. 

There’s an uneasiness in his voice when even broaching the subject of cookie-cutter songs. You can hear him loosening a tie around his neck that isn’t there. 

“I had a lot I wanted to say,” says Cordero. “I knew there was a better way of saying it. I didn’t want to write at the same pace I was at during Humble Folks. And I don’t want to write at this pace in the future.”

Homeland Insecurity sees Cordero sanding and smoothing the edges as a lyricist and storyteller. He’s always had an ear for memorable melodies and a gift at finding the heart of the story. But here, he expands and challenges himself to not only write at a deeper thematic level, but to simply become a better songwriter. 

“Everything I’d written before, it was always just something I had to get out. It was always spurred on by an emotion, but that doesn’t mean the lyrical side was rich,” says Cordero. “I have to really say something. Everything has to BE purposeful. I can’t get stuck.”

Indeed. Flatland Cavalry isn’t stuck in a rut. Despite embracing the harsh realities of modern civilization and the anxieties of life, Flatland carves out their own path on Homeland Insecurity. 

Lead Vocals/Guitar: Cleto Cordero

Electric Guitar: Reid Dillion

Fiddle: WESLEY HALL

Bass: Jonathan Saenz

Percussion: Jason Albers

UTILITY: ADAM GALLEGOS

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From Leeds, England, singer/songwriter/musician Corinne Bailey Rae shot to stardom with her selftitled #1 UK debut album in 2006, featuring the global hits “Put Your Records On“ and “Like A Star”.

Bailey Rae has received two GRAMMY AWARDS, two MOBOS, alongside multiple nominations including BRIT and BET Awards. She was awarded her first GRAMMY® in 2008 for Album Of The Year when featured on Herbie Hancock's River: The Joni Letters. Her second album, The Sea (2010) was nominated for the prestigious Mercury Music Prize. The subsequent EP Is This Love garnered a GRAMMY® for Best R&B Performance.

In 2016 Bailey Rae returned with “boundary-defying, epic music” (NPR) for her third studio album, The Heart Speaks In Whispers, also declared “the best R&B of 2016” (The Guardian). The album featured the stunning "Green Aphrodisiac" named “10 best R&B songs of 2016” (Billboard) and selected by President Obama for his summer playlist.

Bailey Rae’s success has lead her to composing music for film and television, including the theme to Stan Lee’s Lucky Man (SKY1). She recorded “The Scientist” for Universal Pictures’ Fifty Shades Darker opening title and soundtrack, which charted globally. 2020 included The High Note with Bailey Rae’s “New to Me”, performed in the film by Tracee Ellis Ross.

Bailey Rae continues to collaborate and perform with artists across musical genres, including Mary J Blige, Al Green, Herbie Hancock, KING, Paul McCartney, Kele Okereke (Bloc Party), Preservation Hall Jazz Band, Questlove, Salaam Rami, RZA, Tyler The Creator, Paul Weller, Richard Hawley, Stevie Wonder, Tracey Thorn, Pharrell, Logic, Mick Jenkins, and many more including a performance in Theaster Gates’ video installation Do you hear me calling? Mama Mamama or What Is Black Power? Leading to a recent live in conversation with the artist for the San Francisco Museum of Modern Art.

Throughout Bailey Rae’s career she has performed worldwide including Glastonbury, Byron Bay Blues Festival, BST Hyde Park, Newport Jazz Festival, Central Park SummerStage, London Jazz Festival, Delicious Festival (Johannesburg, SA), Rio Montreux Jazz Festival, The O2 (London), and Billboard Live Osaka & Tokyo. Most recently Bailey Rae performed Sam Cooke’s “A Change Is Gonna Come” as a duet with Leslie Odom Jr. at the 2021 BAFTA’s in London at The Royal Albert Hall.

For more information visit corinnebaileyrae.com.

ABOUT JOSS STONE

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With a legendary career spanning nearly  five decades, KANSAS has firmly established itself as one of America’s iconic classic rock bands. This "garage band" from Topeka released their debut album in 1974 after being discovered by Wally Gold, who worked for Don Kirshner, and have gone on to sell more than 30 million albums worldwide.

Composing a catalogue that includes sixteen studio albums and five live albums, KANSAS has produced eight gold albums, three sextuple-Platinum albums (Leftoverture, Point of Know Return, Best of KANSAS), one platinum live album (Two for the Show), one quadruple-Platinum single ‘Carry On Wayward Son,’ and another triple-Platinum single ‘Dust in the Wind.’ KANSAS appeared on the Billboard charts for over 200 weeks throughout the ‘70's and ‘80's and played to sold-out arenas and stadiums throughout North America, Europe and Japan. ‘Carry On Wayward Son’ continues to be one of the top five most played songs on classic rock radio, and ‘Dust In the Wind’ has been played on the radio more than three million times! 

The summer of 2020 marked the release of “The Absence of Presence,” KANSAS’s sixteenth studio album, which debuted at #10 on Billboard’s Top Current Albums chart.  The wide-ranging progressive rock album, released by InsideOut Music, follows-up 2016’s “The Prelude Implicit,” which debuted at #14 on Billboard’s Top 200 Albums chart.  

Throughout 2016-2017, the band celebrated the anniversary of breakout album “Leftoverture” with the highly successful KANSAS: Leftoverture 40th Anniversary Tour. That tour was released in 2017 as a live album, “Leftoverture Live & Beyond.” Since 2018, KANSAS has followed that tour with the even more successful KANSAS: Point of Know Return Anniversary Tour. That tour was captured as a 2021 live album, “Point of Know Return Live & Beyond.”

The band is currently comprised of original drummer Phil Ehart, bassist/vocalist Billy Greer, vocalist/keyboardist Ronnie Platt, violinist/guitarist David Ragsdale, keyboardist/vocalist Tom Brislin, and original guitarist Richard Williams. With no signs of slowing down, KANSAS continues to perform in front of large and enthusiastic audiences around the world.

Along with constant touring, KANSAS continues to remain a fixture of Classic Rock radio. The band has reached a whole new audience through their unmistakable presence on the popular video games Rock Band, Guitar Hero, and Grand Theft Auto; the band’s documentary film “KANSAS: Miracles Out of Nowhere” airing on AXSTV; and through their songs’ inclusion in various television shows such as ‘Supernatural,’ ‘South Park,’ ‘The Office,’ and ‘The Simpsons;’ and with films including ‘Old School,’  ‘Anchorman,’ and ‘Happy Gilmore.’ 

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Big Head Todd and The Monsters have quietly become an American institution following three and a half decades of writing, recording, and touring (totaling over 3,500 performances). After countless sold out shows in amphitheaters and on the high seas, beaming their tunes to outer space (literally), earning the endorsement of everyone from Robert Plant to The Denver Broncos, and tallying tens of millions of streams, Big Head Todd and The Monsters cite the friendships formed in the crowd among their proudest accomplishments. Fast forward to 2021 and the Colorado quartet—Todd Park Mohr [vocals, guitar, keys, sax, harmonica], Brian Nevin [drums, percussion], Rob Squires [bass, vocals], and Jeremy Lawton [guitar, keys, vocals, steel guitar]—continue to unite audiences. 

“Friendships have spawned because of our band,” smiles Todd.  “Maybe a bit like the Grateful Dead, the line between audience and stage has over time become a bit blurred and many lifelong friendships have been made in every direction.  I’m very proud of that.  Bringing people together and sharing a joy for a couple of hours is an important function of music.  Music can cultivate community, even harmony.  We need that!” 

Fittingly, the guys in the band began as friends as well. Todd and Brian first crossed paths in high school jazz band circa 1982. Soon, the guys started to jam in Brian’s basement also joined by Rob. Sweat-soaked house party gigs and talent shows followed until they became a fixture on the bar circuit “before I was even old enough to drink,” laughs Todd. As perennial outliers, the musicians performed original material at these formative gigs, standing out from a bevy of cover bands in the scene at the time.  

Adopting the moniker Big Head Todd & The Monsters, they served up their independent debut Another Mayberry in 1989 and Midnight Radio in 1990 to critical acclaim, setting the stage for their seminal 1993 breakout Sister Sweetly. Powered by staples “Broken Hearted Savior,” “It’s Alright,” and “Bittersweet,” it eventually went platinum, and they supported Plant on tour. At the time, Variety hailed Todd as “a soulful singer and nimble lead guitarist,” while The Los Angeles Times claimed, “Mohr, who has a voice like smoke, writes great songs that incorporates blues, folk, rock and country, which sounds sort of like, well, Big Head Todd and the Monsters.” 

Throughout the next decade, the group presented fan favorites such as Strategem [1994] and Beautiful World [1997]. The latter yielded the cover of “Boom Boom” [feat. John Lee Hooker], which famously served as the theme to NCIS: New Orleans. In 2005, they exceeded our atmosphere altogether. Friends with connections to NASA encouraged Todd to write a song for NASA, so they ignited 2005’s “Blue Sky.” In 2011, Big Head Todd and The Monsters played “Blue Sky” live from the middle of Mission Control to awaken the astronauts aboard the shuttle. 2017 saw them release New World Arisin’ to fan adoration and critical acclaim. Glide Magazine claimed, “such tracks, like most of this music, radiate a sense of optimism and purpose ever so welcome in these fragmented times.” 

Along the way, the band joined the Denver Broncos on their Super Bowl victory parade, delivering a triumphant performance to boot. Not to mention, they’ve headlined their own cruise multiple times and introduced Rockin’ the Reef as a five-night musical extravaganza in Jewel Paradise Cove in Runaway Bay Jamaica for 2022. 

Big Head Todd and The Monsters took the stage at hallowed hometown haunt Red Rocks Amphitheatre a staggering 32 times. In June 2021, they made a rapturous homecoming to Red Rocks for their first full capacity gig at the venue post-COVID. Chronicling the gig, 303 Magazine described the group as “a longtime pal that has defined Colorado’s blues-rock scene for multiple decades.” 

“The Red Rocks performances have all been special to me,” Todd goes on. “Growing up in Colorado, I always loved going to shows there as a teenager. I’m super proud of that. The COVID year was really unique, because we played there four times before finally getting back in front of a packed house. It meant a lot to all of us.” 

In 2019, the band instituted another fan favorite tradition, by launching Monsters Music Monthly. They revealed a free song and video on a monthly basis, including “Hoochie Coochie Man” [feat. Buddy Guy], “Rosalita” [feat. John Popper of Blues Traveler], “Remedy” [feat. Ronnie Baker Brooks], “Sunshine of Your Love” [feat. David Hidalgo], and more. Todd and Co. have notably managed to collaborate or perform with a myriad of their heroes over the years, namely Neil Young, B.B. King, Allman Brothers, John Prine, Albert Collins, James Cotton, John Lee Hooker, Hubert Sumlin, and dozens more. 

“For a half-Asian kid growing up in Littleton, Colorado, it’s not likely I would’ve ever ended up being as involved in blues music as I have been,” he observes. “It’s unbelievable we’ve gotten to play and even record with some of my idols.” 

In the end, Big Head Todd and The Monsters will never stop bringing crowds together. In fact, they’ll hit the road yet again for a full-scale US tour in winter 2022 with more on the horizon. 

“If I had any message for our listeners, it would just be, ‘Thank you’,” he leaves off. “We’re so fortunate to have lives making music. We’re grateful to be in the situation we’re in, and we’re going to continue as long as we can.” 

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Snarky Puppy at ACL Live has been rescheduled to Saturday, February 19, 2022. Tickets will be honored on the new date, or if you can’t make it, you’ll be able to request a refund. We’ll email ticket holders directly with details.

Masks are required and must remain in place unless eating or drinking.

Make a night of it! Book a hotel stay just steps away at W Austin. Exclusive rates for ACL Live patrons start at just $319 when you book with your tickets here.

The last four years have brought dramatic changes for Snarky Puppy.

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Mat Kearney at ACL Live has been rescheduled to Friday, February 25, 2022. Tickets will be honored on the new date, or if you can’t make it, you’ll be able to request a refund. We’ll email ticket holders directly with details.

A message from the artist:

With an extremely heavy heart I’m announcing we’re moving my fall tour to next year.

This is by far the most painful decision I have had to make in my career. Mostly because I don’t want to let you guys down. I hope you can join us next year when we can sing together and experience live music in the way I have missed deeply.

Take care of yourselves and stay tuned for the announcement of the second leg - those dates are coming.

Love,
Mat

Masks required for entry and must remain in place unless eating or drinking.

Make a night of it! Book a hotel stay just steps away at W Austin. Exclusive rates for ACL Live patrons start at just $329 when you book with your tickets here.

Nashville-based, Oregon-born Mat Kearney is back with his new studio album January Flower. Written between an isolated retreat in Joshua Tree and his home studio, January Flower sees Kearney in his rawest form, distilling the songwriting process and rediscovering the joy of making music. Over his career, Kearney has released five studio LPs, claimed the #1 spot on iTunes, topped multiple Billboard charts, made four entries into the Hot 100, amassed over 2.5 BILLION global streams. Kearney, a Multi-Platinum songwriter and producer, has performed live on TODAY Show, Ellen, The Tonight Show, Letterman and Jimmy Kimmel Live! and has garnered raves from USA Today, Entertainment Weekly, People, Billboard, PARADE and Marie Claire. He also has an incredible touring history, sharing the road with everyone from John Mayer to NEEDTOBREATHE.

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